This week in “Thanks, Internet” — An electrician-turned-photographer, an unlikely cover, Pixar’s rainbow, parsing The Simpsons, and the silliest skate video ever made (intentionally).
Nelson felt as though he had stumbled on the tomb of King Tut. For whatever reason, this Petrov had turned an archivist’s eye on the banalities of an office building and a sky-top restaurant, which, though destroyed in one of history’s most photographed events, had hardly been photographed at all. The pictures were beautiful, too. Devoid of people, and suffused with premonitory gloom, they made art out of a site that most New Yorkers, at the time, had come to think of as an eyesore. Petrov seemed to be a kind of savant of the commonplace, as though he’d known that all of it would soon disappear down a smoking pit. Inadvertently or not, he left behind a ghostly record, apparently the only one, of this strange twentieth-century aerie, as though he’d been sent here for this purpose alone.
On paper, none of this makes any sense. Willow Smithis the 13-year-old offspring of Will and Jada, who sings about her hair. King Kruleis a 24-year-old delinquent from London who sings about working class anguish. So how did Smith end up covering Krule’s calling card, “Easy Easy“? We don’t know, but ignorance—at least in this case—is bliss.
We haven’t seen a new Pixar movie in a minute, but that doesn’t mean its fans have forgotten how good things have been. Take Rishi Kaneria‘s supercutas evidence: in just 60 seconds, the ace editortracks Pixar’s expert, innovative use of color in two decades of animated films, fromToy Story toMonsters University.
Thanks, Scott!
Skate videos have two settings: maddeninglysophomoricor questionably epic. Those that take the latter tact really setthemselves up forsatire. This week, Vimeo’s Il David Changgave us the gift of KOKO — a perfect riff on the tropes found in the worst outsider art documentaries. Skate videos of the future take note!
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