This week in “Thanks, Internet” — Inside America’s rooms on YouTube, defending Fred Flintstone, the “Pendulum” inFKA twigs’ pocket, Sad Full House,and slug solos.
Paul Fordspends a lot of time on YouTube. He gravitates towards those stark videos ofpeople speaking, singing, and crying directly into their cameras for an anonymous audience. This week, Ford wrote about what’s going on in the background of those videos. In “The American Room”, he notes that, though these videos differ widely in subject matter, they’re often set in the same, generic-looking suburban bedrooms.Ford psychoanalyzes video stars through their living spaces and decides their medium is one big attempt to transcend homogeneity:
The people dancing and talking and singing in beige rooms with 8′ ceilings are surrounded by standards, physically and online. Technological standards like HTML5 also allow us to view web pages and look at video over the Internet. All of their frolic is bounded by a set of conventions that are essentially invisible yet define our national physical and technological architecture. Their dancing, talking bodies are the only non-standardized things in the videos.
Thanks, PJ!
There’s nothing funny about domestic violence, and you should refrain from making Flintstones references when opining about it. This week, a WaPo columnist learned that lesson the hard way from a reader who takes domestic violence as seriously as he takes Hanna-Barbera.
It’s always awkward when a sitcom tries to turn from funny to seriouson a dime, as comedy writer Benjamin Applereminds us withSad Full House. Somberand seriousmoments from Full Houseall of a sudden become funny— or even sadder, depending on your sense of humor.
Thanks, Jordan!
Guitarists make great faces mid-solo. Now we finally have a blogthat makes them even better.
Thanks, Matt!
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