Social media platforms have been blowing up with millions of tweets and posts about K-pop band BTS.
It celebrated its eighth anniversary over the weekend with a virtual concert. It's not clear how many people paid to attend the online concert, but a similar show last October pulled in nearly a million views.
The group is composed of seven members — J-Hope, RM, Suga, Jungkook, V, Jin and Jimin.
The group's latest music video — of the long-awaited single, “Butter,” described as a lighthearted and fun song for summer — racked up more than 17 million views on YouTube in less than an hour of its release. And the song also topped iTunes Top Songs charts in multiple countries, including the United States.
Since their debut in 2013, BTS has garnered global recognition for its self-produced music and activism, which includes giving a speech at the United Nations and publicly calling out anti-Asian racism.
The band topped the Billboard Hot 100 chart three times in 2020, and was nominated for prominent music awards like Billboard Music Awards, MTV Video Music Awards and for a Grammy Award.
To talk about the success of BTS, The World's Marco Werman spoke with music writer and culture critic Maria Sherman, who joined from Brooklyn, New York. She is the author of the book, "Larger Than Life: A History of Boy Bands from NKOTB [New Kids on the Block] to BTS."
Maria Sherman: Absolutely. The fact that a virtual event can have the same sort of success, if not way more success, than a proper live show, that's totally new. That's absolutely K-pop fascination that is BTS's success.
K-pop, more so than any other teen music phenomenon, at least in my lifetime, really exists online. If anyone is going to [have] success or any entity is going to [have] success in this, sort of, COVID realm, where we can only watch live music digitally, it's going to be an act like BTS.
Yeah, I think it was $46 and for both days it was $86. So, that's a lot. But, you know, if you're trying to get front row at a live BTS concert, like, in person, it's a lot more than that. So, you've got to, kind of, find a happy medium there, I guess.
Oh man, I've done it, too. I sometimes joke that I can tell you what time it is in Seoul, but I can't tell you what time it is in LA from New York, because I'm just so in this world. In a weird way, I think it actually ... further legitimizes your experience of fandom, because you have to actually commit to this fandom. It requires work.
I kind of struggle to see a fan saying that they don't want to see these guys in person, though I do think there are certainly benefits [for] K-pop groups, especially BTS, to continue doing these virtual events. As for fans, whenever they can access BTS, they're going to access BTS, regardless of the medium.
I have, and it's great, because I don't personally — maybe it's because of my age or location — I don't know, I don't have a lot of BTS fans in my physical space, but I do around the country. So, we'll do ... a Zoom call and we'll watch together. And it's really sort of [a] beautiful communal experience. And I think it even sort of reinforces the idea that K-pop and BTS are a truly global phenomenon. But with BTS, there's something about the sense of borderless-ness. It really feels like you can access all these different places on the planet when you enjoy a group like this, because I can't really talk to another group that's made me feel that way. They've changed the game. They've sort of allowed everybody to access them in South Korea and this music, and it's a really beautiful thing.
This interview has been lightly edited and condensed for clarity.AP contributed to this report.
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