Known for his huge, geometrical mobiles — abstractions hanging and spinning in space — sculptor Alexander Calder started as a child by making toys. As an adult, among the radical artists of 1920’s Paris, he crafted a metal menagerie of acrobats, ringmasters, lions and lion tamers. He even made stretcher-bearers in case someone got hurt. Calder would put on performances with the figures, doing all the voices himself and roaring like a lion. Jonathan Mitchell wondered what makes a grown man live out his circus dream.
The article you just read is free because dedicated readers and listeners like you chose to support our nonprofit newsroom. Our team works tirelessly to ensure you hear the latest in international, human-centered reporting every weekday. But our work would not be possible without you. We need your help.
Make a gift today to help us raise $67,000 by the end of the year and keep The World going strong. Every gift will get us one step closer to our goal!