Like many artists, Lily Arbisser still has to work a day job to pay the bills while she pursues her creative career. She hopes to someday sing center stage at New York’s Metropolitan Opera, but for now, she works there behind the scenes as a cue-caller: the person responsible for making sure an opera’s subtitles appear at exactly the moment when the performers onstage sing their lines. Each night’s performance is slightly different, and if the timing isn’t just right, it can ruin the punch line to a joke or give away major spoilers. Lily takes us backstage to share the tricks of her trade and how this day job has affected her as a performer, too.
The World is an independent newsroom. We’re not funded by billionaires; instead, we rely on readers and listeners like you. As a listener, you’re a crucial part of our team and our global community. Your support is vital to running our nonprofit newsroom, and we can’t do this work without you. Will you support The World with a gift today? Donations made between now and Dec. 31 will be matched 1:1. Thanks for investing in our work!