LONDON — We stood with all the other tourists this morning with our two youngest kids high on our shoulders to see the changing of the guard at Buckingham Palace.
And then we walked along the Thames past the jugglers and the clowns and the mimes and musicians and made our way to Shakespeare’s Globe Theater where we had the cheap standing tickets for the matinee of ‘“Much Ado About Nothing.’”
Our four boys enjoyed the comedy and didn’t seem to mind the rain trickling down in the open-air theater. A great London day.
But by far the best drama in this town was unfolding all afternoon in Westminster at the parliamentary committee hearings that brought “King” Rupert and “Prince” James Murdoch and their “Lady” Rebekah Brooks all up for questioning.
“Murdoch” the play, with all its plot twists and turns and its characters falling so precipitously from power is certainly worthy of the The Bard himself William Shakespeare. It beats all the royal choreography of the palace and the entertainment value of the street acts. It has all the bawdy dialogue of “Much Ado” and the pathos of “Macbeth.”
But hard to say whether the stage version of “Murdoch” is a tragedy or a comedy.
The hacking of a murdered young girl’s phone messages is so dark and fiendish that it could only be written into a tragedy. The death of the whistleblower, still under investigation, is certainly tragic. The seriousness of its impact in forcing the resignation of the Metropolitan Police commissioner, Sir Paul Stephenson, and the damage the pay-for-information scandal has taken on New Scotland Yard is the stuff of tragedy as well.
But hearing Brooks, chief executive of News International and former editor of The Sun, say with a straight face that “a newsroom is always about trust” was certainly laughable. You just couldn’t help snickering as she flicked her wild mane of red hair and told the committee, “We have a very robust and diverse press in this country and I think that freedom should endure.”
Murdoch’s Sun and News of the World have shredded the standards of journalism that we hold high in America and created a tabloid culture that the British press has over many decades come to tolerate as just part of the British climate, like the rain and the fog.
To read the remainder of this dispatch, please click here.
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