Read this brilliant new poet’s take on the US immigrant experience

The World
Poet and essayist Ocean Vuong was born in Saigon and raised in Hartford, Connecticut.

Vietnamese-American poet Ocean Vuong remembers the start of his immigrant experience, when on his first night in America he squeezed into a tiny, unfurnished Connecticut apartment with six relatives and a bucket of "old man chicken."

"We had KFC, which my family still calls to this day 'old man chicken' because of Col. Sanders' face on the buckets," Vuong says. "It was very cold, the snow was starting and you could hear it crackling on the tenement windows, and we were dipping into this seemingly miraculous bucket of chicken and drinking this tea that we brought with us, and we started to tell stories."

Those stories Vuong's family shared with the then-toddler are woven into his new collection of poems, "Night Sky with Exit Wounds." The poetry looks backward and forward to life in Vietnam and America, avoiding nostalgia but capturing the lasting impact of a war that still echoes through the generations.

[[entity_id:"88826" entity_type:"node" entity_title:"Story Act: Translation of Ocean Vuong poet"]]

This is one of his poems, "Aubade with Burning City":

South Vietnam, April 29, 1975: Armed Forces Radio played Irving Berlin’s “White Christmas” as a code to begin Operation Frequent Wind, the ultimate evacuation of American civilians and Vietnamese refugees by helicopter during the fall of Saigon.

            Milkflower petals on the street
                                                     like pieces of a girl’s dress.
May your days be merry and bright …
He fills a teacup with champagne, brings it to her lips.
            Open, he says.
                                        She opens.
                                                      Outside, a soldier spits out
            his cigarette as footsteps
                            fill the square like stones fallen from the sky. May all
                                         your Christmases be white as the traffic guard
            unstraps his holster.
                                        His hand running the hem
of  her white dress.
                            His black eyes.
            Her black hair.
                            A single candle.
                                        Their shadows: two wicks.
A military truck speeds through the intersection, the sound of children
                                        shrieking inside. A bicycle hurled
            through a store window. When the dust rises, a black dog
                            lies in the road, panting. Its hind legs
                                                                                   crushed into the shine
                                                       of a white Christmas.
On the nightstand, a sprig of magnolia expands like a secret heard
                                                                      for the first time.
The treetops glisten and children listen, the chief of police
                                facedown in a pool of Coca-Cola.
                                             A palm-sized photo of his father soaking
                beside his left ear.
The song moving through the city like a widow.
                A white …    A white …    I’m dreaming of a curtain of snow
                                                          falling from her shoulders.
Snow crackling against the window. Snow shredded
                                           with gunfire. Red sky.
                              Snow on the tanks rolling over the city walls.
A helicopter lifting the living just out of reach.
            The city so white it is ready for ink.
                                                     The radio saying run run run.
Milkflower petals on a black dog
                            like pieces of a girl’s dress.
May your days be merry and bright. She is saying
            something neither of them can hear. The hotel rocks
                        beneath them. The bed a field of ice
                                                                                 cracking.
Don’t worry, he says, as the first bomb brightens
                             their faces, my brothers have won the war
                                                                       and tomorrow …    
                                             The lights go out.
I’m dreaming. I’m dreaming …    
                                                            to hear sleigh bells in the snow …    
In the square below: a nun, on fire,
                                            runs silently toward her god — 
                           Open, he says.
                                                         She opens.
Will you support The World today?

The story you just read is not locked behind a paywall because listeners and readers like you generously support our nonprofit newsroom. If you’ve been thinking about making a donation, this is the best time to do it. Your support will get our fundraiser off to a solid start and help keep our newsroom on strong footing. If you believe in our work, will you give today? We need your help now more than ever!