Before there was Photoshop, entrepreneurial art photographers might spend weeks in the dark room, altering a single photo until it looked just the way they wanted it. A new exhibition at New York City’s Metropolitan Museum of Art looks at that history of manipulation.
He’s officially in digital forensics, but Professor Hany Farid is really a Photoshop detective, inventing software to catch what the eye can’t. Farid gives Douglas McGray, an Irvine fellow at the New America Foundation, a glimpse at his current caseload � from fraud in cancer research to white supremacists in prison.