The great director Federico Fellini once said that a dark theatre is like a womb — safe, self-contained and life nourishing. The playwright Lanford Wilson toys with that safe feeling. His plays expose what’s in the dark, both good and bad. Caitlin Shetterly spoke to Lanford Wilson about how darkness shapes his creative vision.
The great director Federico Fellini once said that a dark theatre is like a womb — safe, self-contained and life nourishing. The playwright Lanford Wilson toys with that safe feeling. His plays expose what’s in the dark, both good and bad. Caitlin Shetterly spoke to Lanford Wilson about how darkness shapes his creative vision.
Kurt Andersen and Nathaniel Kahn talk about the physical spaces artists build — to feed their creativity and to hide from the rest of the world. Nathaniel Kahn is a playwright and filmmaker. He grew up in Philadelphia, and his father is the renowned architect Louis Kahn. His documentary about Louis Kahn’s architecture and his […]
In 1989 playwright Wendy Wasserstein won the Tony Award and the Pulitzer Prize for The Heidi Chronicles, a play which traces the coming of age of an art historian and a generation that thought it had the corner market on youth. Her other plays include The Sisters Rosensweig and An American Daughter. Wasserstein’s new book, […]
In 1925, the movie mogul Samuel Goldwyn traveled all the way to Vienna to meet Sigmund Freud. Goldwyn wanted the famous doctor to consult on movies for MGM — to tell filmmakers what was happening psychologically in famous relationships like Anthony and Cleopatra’s. Freud, however, refused even to see Goldwyn. We asked playwright David Ives […]