At the Academy Awards, the Oscar statuette is as iconic as the gowns and the red carpet. With his square chest, broad shoulders and tapered legs, Oscar is an art deco god. But, as familiar as he may be, it turns out we don’t know Oscar very well.
For one, Oscar’s name isn’t Oscar. It's Emilio. And the life of the man behind the statuette, Emilio Fernandez, reads like a Hollywood script.
He was born in Coahuila, Mexico, in 1904. Fernandez grew up during the bloody Mexican Revolution. He dropped out of high school to become an officer for the Huertista rebels, but, in 1925, he was captured and sentenced to 20 years in prison. In true Hollywood fashion, Fernandez soon escaped and crossed the border to Los Angeles, where he lived in exile for the next decade.
It wasn’t long before Fernandez fell into extra work in Hollywood, where he was first called “El Indio” by the silent film star Dolores Del Rio. The nickname wasn’t exactly a compliment, but Del Rio would eventually help Fernandez become the most famous man in Hollywood.
Del Rio was the wife of MGM Art Director Cedric Gibbons. Shortly after the Academy was founded in 1927, Gibbons was tasked with designing an award statuette. He’d sketched a figure of a knight holding a sword and standing on a reel of film and was looking for a suitable life model. Del Rio suggested Fernandez. She asked, he agreed.
Fernandez went on to become one of the most celebrated directors in the Golden Age of Mexican cinema. The Oscar origin story lives somewhere between legend and history. Dolores Tierney, a film professor at the University of Sussex, says he was known for telling stories about his life, but that the Oscar tale rings true. “There are a lot of things that point to its veracity” she says, including Fernandez’s physique, his relationship with Dolores Del Rio, and the plot of his award-winning magnum opus, Maria Candelaria.
Thousands of gold Emilios have been handed out since his Academy Awards debut. But after a 50-year career in the business, Fernandez never took one home.
Thanks to Betto Arcos, who provided translation and voiceover for the audio of this story. Clayton Conn contributed reporting from Mexico City. This article was first published by PRI's Studio 360, where you can find more surprising coverage of pop culture, design and the arts.