Majid Majidi’s Children of Heaven finally put Iranian film on the map when it earned an Oscar nomination for Best Foreign Language Film in 1999. Since then, Iran’s reputation in the film world has grown to the point that an international film festival is practically incomplete without an Iranian entry. Jonathan Mitchell looked at how the Iranian film community was able to rise out of the ashes — literally.
The article you just read is free because dedicated readers and listeners like you chose to support our nonprofit newsroom. Our team works tirelessly to ensure you hear the latest in international, human-centered reporting every weekday. But our work would not be possible without you. We need your help.
Make a gift today to help us reach our $25,000 goal and keep The World going strong. Every gift will get us one step closer.