Linda Thomas-Greenfield, Permanent Representative of the United States to the United Nations, speaks during a Security Council meeting on the maintenance of peace and security of Ukraine, Monday, Feb. 6, 2023, at United Nations headquarters. 

Amb. Linda Thomas-Greenfield speaks on Syria

Full Episode

Linda Thomas-Greenfield, Permanent Representative of the United States to the United Nations, speaks during a Security Council meeting on the maintenance of peace and security of Ukraine, Monday, Feb. 6, 2023, at United Nations headquarters. 

John Minchillo/AP

Syrian President Bashar al-Assad’s government has tried to argue that Western sanctions against it are hindering its aid efforts to help earthquake victims. But US Ambassador to the United Nations Linda Thomas-Greenfield says she isn’t buying it. And, Moldova, a small, landlocked nation that borders Ukraine, finds itself in a tussle between Russia and the West. Also, Nobel Peace Prize winner Malala Yousafzai talks about the roots of misogyny and the plight of young women in Afghanistan and Pakistan. Plus, Gingee frames Filipino American identity through percussion.

In This Episode

People who lost their houses in the devastating earthquake, lineup to receive aid supplies at a makeshift camp, in Iskenderun city, southern Turkey, Tuesday, Feb. 14, 2023.
‘Assad can’t clean up his act with a natural disaster,’ US Amb. to UN Linda Thomas-Greenfield says
Special Coverage
10 days after the quakes, humanitarian aid is starting to arrive in Syria
The mystery of poet Pablo Neruda’s death continues
Weapons for Ukraine? Latin American leaders resoundingly say, ‘No’
Why we should be paying attention to Moldova
‘It’s just people really afraid of women in positions of power’
Indigenous activists run through the streets of Lima during a recent protest against Dina Boluarte's goverment. 
‘Our people have always struggled:’ Peru’s Indigenous groups aim for more power in Congress
Special Coverage
Jailed Egyptian anti-corruption chief released but charged again
Framing Filipino American identity through percussion