American Icons: ‘The Searchers’

Studio 360
A problematic classic.

John Ford was over a hundred films deep in a directing career that had begun in the silent era when he set out to create a “psychological epic.” The resulting film, “The Searchers,”  was a Western set against the bloody conflict between the native Comanche and Texas settlers after the Civil War.

A poster for the 1956 film “The Searchers.”
A poster for the 1956 film “The Searchers.”Album/Alamy Stock Photo

It showcased John Wayne, turning his archetypal strength and stoicism into viciousness as a returned soldier hell-bent on revenge against the Comanche who killed his family in a raid. The figure of an honorable man demented by violence and revenge took its place as a new type of American anti-hero.

John Wayne, Beulah Archuletta and Jeffrey Hunter in “The Searchers.”
John Wayne, Beulah Archuletta and Jeffrey Hunter in “The Searchers.”United Archives GmbH/Alamy Stock Photo

This latest installment of our American Icons series looks at “The Searchers” and its complicated legacy.

American Icons is made possible by a grant from the National Endowment for the Humanities.

Help keep The World going strong!

The article you just read is free because dedicated readers and listeners like you chose to support our nonprofit newsroom. Our team works tirelessly to ensure you hear the latest in international, human-centered reporting every weekday. But our work would not be possible without you. We need your help.

Make a gift today to help us reach our $25,000 goal and keep The World going strong. Every gift will get us one step closer.