American Icons: I Love Lucy

This is where television invented itself.

It set the model for the hit family sitcom. Lucy was a bad girl trapped in the life of a ’50s housewife; her slapstick quest for fame and fortune ended in abject failure weekly. Both the antics and the humiliation entered the DNA of TV comedy, from Desperate Housewives to 30 Rock — writers can’t live without Lucy. Rapper Mellow Man Ace celebrates the breaking of an ethnic taboo; a drag performer celebrates Lucy as a freak. With novelist Oscar Hijuelos, producer Chuck Lorre, The Office‘s Mindy Kaling, and a marriage counselor who has some advice for the bickering couple.

I Love Lucy was produced by Jenny Lawton, with production assistance from Chloe Plaunt and Claes Andreasson.David Krasnow edited the show.

Bonus Track: Mindy Hearts Ricky

Mindy Kaling (The Mindy Project, The Office) grew up thinking I Love Lucy was “one of the many black and white things that people keep telling you is so great … and you’re just sort of bored and annoyed by it.” Then her Office boss Greg Daniels ordered her to watch it. She came away with a pretty serious crush on Ricky Ricardo. And she says she’s not bothered by jokes about his accent.

Bonus Track: Deconstructing Lucy

Although Lucy’s on-screen antics may have looked improvised, every gesture, glance, and step was written into the script. Gregg Oppenheimer — son of creator, producer, and head writer Jess Oppenheimer — reads a bit of telling stage direction from “Lucy is Enceinte.” Jess and Gregg Oppenheimer are the authors of Laughs, Luck … and Lucy.

Read an excerpt from the “Lucy is Enciente” episode script

Bonus Track: Notes on a Scandal

In 1955 Confidential Magazine, a Hollywood scandal rag, reported on Desi Arnaz’s supposed philandering. Dartmouth film and television professor Mary Desjardins explores the less desirable side effect of being a celebrity couple.

Read about Lucy and Desi in Confidential Magazine (1955)

TheI Love Lucyshow was the first comedy to be filmed in front of a live studio audience, a practice that is now standard in many of today’s TV sitcoms. Lucille Ball’s daughter, Lucie Arnaz, wrote that her mother’s “clowning and comedy talent thrived on the sound of real people laughing uproariously at her antics.”

(Courtesy of Gregg Oppenheimer)

A view of the originalI Love Lucysoundstage. Karl Freund, the Oscar-winning cinematographer, convinced Desi Arnaz thatI Love Lucyneeded to be filmed on a soundstage, not on a theater stage, as was the convention at that time. A soundstage allowed Freund to set up the necessary infrastructure — including a hanging light grid and crab dollies — to successfully accomplish the innovative technique of three cameras shooting simultaneously. The techniques “Papa” Freund invented forI Love Lucyare still used to make sitcoms today.

(Claes Andreasson)

A seat to watch a live filming ofI Love Lucywas one of the hottest tickets in town — brought to you by Phillip Morris,I Love Lucy‘s official sponsor.

(Claes Andreasson / Hollywood Center Studios)

FilmingI Love Lucywith three cameras was just one of the show’s many monumental innovations. Television historian Thomas Schatz explains, “I Love Lucyshaped the style, the technique, the veritable ‘grammar’ of the sitcom. And beyond the series’ impact on the genre, there was Desilu itself, which affected the institutional, economic, and even the technological practices of the TV industry.”

(Claes Andreasson / Hollywood Center Studios)