This week, the wunderkind composer Nico Muhly grows up — he tells Kurt Andersen why he chose a crime ripped from the headlines as the story for his new opera. Suzanne Opton captures soldiers at rest between tours in a series of haunting portraits. Plus, a critic assesses Banksy’s month-long art spree in New York City, and designer to the stars Mario Buatta talks high design on the cheap.
Every day, reporters and producers at The World are hard at work bringing you human-centered news from across the globe. But we can’t do it without you. We need your support to ensure we can continue this work for another year.
Make a gift today, and you’ll help us unlock a matching gift of $67,000!