At the height of her fame, Juliette Binoche turned down roles in blockbusters to do European art-house films. So why did she decide to do Godzilla this year? Kurt Andersen also talks to Mark Mothersbaugh, a founding member of Devo and in-demand film composer, who now has a major retrospective of his visual art. And we’ll meet another composer, whose music turns garden-variety haunted houses into something much scarier.
Every day, reporters and producers at The World are hard at work bringing you human-centered news from across the globe. But we can’t do it without you. We need your support to ensure we can continue this work for another year.
Make a gift today, and you’ll help us unlock a matching gift of $67,000!